Wednesday, January 25, 2012
Desecrator Interview (By D)
1) How long have you been making music or been involved in music for and why?
I started playing/making music in 2002, when I first began playing the drums. I picked up the guitar and bass a year later, but didn't start getting involved in the industry until 2004 (I think) when I started playing in bands, locally. The main reason I wanted to get into playing music was that burning passion to write and perform my own music, be it in a studio or on a stage.
2) What bands have you been in and what can you tell us a little bit about each one?
That dreaded question, eh? Let's see if I can remember them all... Black Star Ritual (thrash/groove metal) 2004-2007: First ever band I played in.
Enthrawl (prog death metal) 2006-2008: This band was what opened my eyes to the world of both prog metal and extreme metal.
Blood Red Ruin (alt. rock/metal) 2007-2008: In hindsight, this band could have gone places with perseverance, but it just wasn't meant to be.
Messiane (groove metal) 2007-2008: Was only with these guys for a short time. They're actually still going with a different drummer and bassist.
Gravity Hammer (prog rock/metal) 2008-2009: Yes, as in the weapon from the Halo video games haha.
VanityVania (doom/death metal from US) 2010 or 2011: Side project of Munnin of Ravenhelm. Recorded drum tracks for a 4 track demo, with songs slowly appearing online.
Beltane (black metal from New Zealand) 2009-Present: Whilst not an official member, I've become known as one of their main session drummers, having provided drum tracks for at least 1 song from every release going back to their Autumn MMIX MCD back in June '09
Laceration (brutal death metal) 2010-2011: My last gigging band until I was made to leave in September '11. For fans of Disgorge, Suffocation and Gorgasm, Laceration is slowly dominating the UK extreme metal scene at the moment.
Desecrator (blackened death metal) 2009-Present: My pride and joy, a one-man extreme metal act I started when I was still in college. Ok, the first demo track was recorded in 2007, but Desecrator didn't really take shape until 2 years later when I recorded my first album, 'Link's Retribution' (out now via Satanica Productions). Currently, I'm in the process of recording my 2nd studio album and trying to book gigs here in the UK.
3) What is the music scene like in your area?
Music, in general, is a big thing in the Highlands of Scotland. However, the metal scene is in dire need of a boost. This comes from someone who has played in most parts of Scotland. Edinburgh, Glasgow, Dundee and Perth all love their metal (especially the upcoming death metal acts). Even if we could get more of those bands up to Inverness, it would make a big difference for the better!
4) What has the online world done for you and what has it done good promotion wise for all your bands? Has it been a good outlet for sales, and fans and contacts in which you couldn’t get unless otherwise, or is it the opposite? The online world has definitely made the world a smaller place, as I'm able to reach everyone on a global capacity, using the likes of Facebook and Twitter. Also, if it wasn't for the internet, I wouldn't have had the pleasure of working with Beltane and Satanica Productions. Of course, there's a flipside to what I just said, as it seems everyone and their dog are plugging and streaming their demos on the internet. I do like to check out new music of all genres, but I just don't have the time to go through absolutely everything that's posted.
5) What do you think of the generation of today? iPods or hard form? It seems we are getting our ass kicked and being called old men if we own a vinyl.
I much prefer having a physical copy of a release on CD or vinyl, although I do have all my music digitally backed up on my iPod, so I can take my collection everywhere I go. As for the vinyl argument, I would have to disagree. I, personally, feel that vinyl is making a comeback. I do a fair bit of voluntary work in a local community shop, and we have a fair bit of vinyl coming and going all the time. Sure, it's mostly the "vinyl generation" buying it for the nostalgia factor, but it surprises me how often they will have their child or grandchild with them who take an active interest in vinyl.
6)What is your life like outside of music? Hobbies? Things you enjoy doing? Beer you like to drink? Just name it.
Apart from my current voluntary work, I don't think I really have a life outside of music. If I'm not in my home studio writing or recording, I'm usually out reviewing local gigs for a website, and doing gig photography whilst I'm at it. However, I do enjoy playing snooker (the most metal of sports I'll have you know!) and playing video games. Beer? If I'm out, I'll have a pint of Guinness any day! That or a nice ale...none of your lager piss! If I'm in the studio and fancying a drink, I'll have a glass of red wine.
7) What should fans expect from the latest Desecrator album? What style you / where going for and hows it going?
'Link's Retribution' was definitely one of those "experimental" periods for me, trying to really figure out the best sound for Desecrator. On the whole, I would say I have a very blackened death metal approach to my music on that release.
As for the latest album I'm currently working on, I decided to further refine that blackened death feel and incorporate symphonic elements (orchestras, choirs etc.) simply because I'm a sucker for orchestral sounds.
[8) What are some of your main influences in the metal genre and why?
I'd definitely have to say Behemoth and Vader for starters. I can thank my Polish heritage for that. Haha, perhaps, blackened death is a Polish thing?
I'd also say the later Dimmu Borgir sound has a huge influence as I'm exploring how to make an orchestra work well with extreme metal. Heck, just anything that is metal with a symphonic backing, really! I've been listening to a lot of the Devin Townsend Project, recently, so perhaps a hint of that quirky Hevy Devy sound may manifest somewhere.
9) Have you done any gigs with Desecrator yet? or is it a studio based project only?
Not yet, no. Originally, it was going to be a studio-only project. I did do a one-off performance along with the members of Laceration and a friend of mine, Rodaidh Mackay (Rodaidh played the solo on the title track of Link's Retribution, as well as will be playing all guitar solos on the next release), but I decided at the end of last year that I wanted to do more with Desecrator so have actively been looking to play shows and festivals in the UK as a one-man band.
10) Has Desecrator got any online play or radio play? I could help with this.
A few tracks from 'Link's Retribution' can be found on ReverbNation, along with demos from the new album I'm working on. Soundcloud, is also becoming useful for streaming new demos and will be looking to use that more than ReverbNation for demoing new tracks. Both applications can be accessed through the Desecrator Facebook page at www.facebook.com/DesecratorMusic
Online radio play I've had also. All tracks from 'Link's Retribution' are, currently, available to be requested to be played over on The Beerman Show at www.toprockradio.com.
(Who would have thought that behind the metal lurks someone with that boyish charm)
11) What labels are you associated with and hows working with them?
I'm a long time associate of Satanica Productions (NZ), thanks to my constant work with label owner, Xan's band Beltane. 'Link's Retribution' was also released through Satanica.
Xan does a lot of good work supporting the underground metal scene on a global scale and, despite the time difference, is generally easy to get hold of if I have any issues.
In general, I can see my relationship with Satanica continue to grow and grow.
(GET DESECRATORS ALBUM HERE : http://www.satanica.org/other-releases.php)
12) Last and final question, what does this new year bring for Desecrator and what is on your to do list?
Think I've pretty much covered all my plans for Desecrator...
- Continue to promote 'Link's Retribution'
- Finish writing and recording the new album
- Get back on stage as a live performer and book gigs
The only thing I havn't mentioned is the plans I've already got for another release, after my next album. Not going to say much about it apart from it will be, most likely, an EP release with an interesting concept...
Thank you very much for your time and I hope you liked my very enlightening questions….!!!!
No, thank YOU!
Mark "Mr. Keram Desecrator" Dubanowski
www.facebook.com/DesecratorMusic
www.soundcloud.com/mdubanowski
www.reverbnation.com/desecratormusic
www.satanica.org
Tuesday, January 17, 2012
Azordon - Ascension (Review)
Well, its me again, here to tell ya I have not quit TF zine just yet and maybe if I stop procrasina-tiiing it will be here to stay ok? Anywho, I am gunna start off with a new review by the wonderful man that is Alexion "Makumba" Azordon that hails from Planet Fata Morgana! yay!!!!! aka Cleveland Ohio.
Alex's new album Ascension is his 10th full length album (Not is 18th or 11th) drenched in madness, ohmazing riffs and space station cosmic chaos! The songs list was played in ABC order when I heard it so Ascension kicked on loud and boily into my ears. This is very atmospheric / black metal oriented offering a more progressive riff filled / shrieking / light singing techniques. It is a very well thought out tune indeed. My socks flew to Mars by the time it was over!
Now Azordoom gives a crunchy spark to it instead, with some steady drum programed beat to it. It stays constant through out with its pile driving guitar prowess. The finesse of Azzys guitar being played while against his Makumba tummy is unbelievable. Only pizza rolls and sugary powders can bring this type of zaniness all together in a big bowl of doomy riffs and make it sound like something that makes complete sense other then complete nonsense... but who cares! Its a great tune and I LIKE it.
Lets get to the next track called Baked Potato Metal, now this track was the preview track of the album Ascension, and is dedicated to a few friends. Also Alexion is speaking in a rappish type style but is very freaking boiling cool and jive about it. The song bubbles its way up slowly into my nose and shows how much more insane Azzy can get with his high pitched screams about being a dork and I think Will Smith can even appreciate that. Solar Thighs and DBZ, you gotta be kidding me, this is awesome!!!!! Really good lyrics, and this guy here, you might think he become a star like the next Cinderalla, or Winger but I think this piece here is number one on the charts every day in my book even though its in league with master satan and not about 17 yr old girls and ballad 80s baldness.... I am boiling on my couch in its awesomeness at the moment.
Boiling in Eternity is one of those songs that Alexion made that REALLY surprised me, that I did a back flip somersault, landed on a box and realized I crushed Grim's twinkies, he got real mad and ran away home for awhile and cried like a lil girl, but other then that, I like how the track presents itself in the beginning with its soft mellowness and great harmonies. It puts a smile on my face... :) Then it gets heavier and completely throws you off into the black hole with your soul!!! You cant even escape, and I do not mean the album Escape by Azordon but not even light can escape it. The track treads on with more black metal filled darkness ala Ascension track, but is a little more melodic with some toasty buttery goodness I like about it. The song has a lot of toppings and salsa within its crunching and atmospheric microwaved burnt meanings of something greater then my ham and cheese pickled sandwiches. Some cookie monster growls, some riffing greatness, I really appreciate its togetherness, especially the opening of the song. Little Bill loves it.
Day Of Reckoning is a boiling solo filled song with a timeless feel, with the song just taking you to a place that is scarier then going into the mind of Walter Barringer and finally finding out how much he really likes the band Nsync. Oh how wonderful it was... really good tune! Sounds very thrashy and YOU!!! no YOU!!!
Farewell my Friends! sounds like something from Wolfenstein 3D to me whenever I hear it I fill like I am shooting Nazis and going through doors. The song then transforms into a completely different tune with different elements... very smart way to go from this to that... I really like how he does it, wish I did that more often, but the song transforms into a very melancholy filled song with a resonance of a winter wind flying up my skirt and showing everyone whats underneath! Oh how dare you! XD My thighs where at least shaved and drooled on this morning. I like it so much I ll fall asleep listening to it on repeat till I get up and chop up some bagels with my hands and finally go back to bed with cream cheese on my toeeeesssss.
The song is a farewell till Azordon is back to making music I think, but not for long! (Cant wait to hear new Kvasta by the way)
Makumba is a bass oriented track, sounds a bit like the bassist of Faith No More around the time they did the album We Care Alot. No Chuck Mosley here but maybe Tito I guess. Its another song that strays back and forth to heavy, to soft, and is another ohmazing track to top things off with what I heard so far. Dende you can really get into it while watching DBZ Abridged, its just that freaking AWESOME!!1 Clean my couch!!!!
Quake III is the next track on my players list and opens up with a growl that sounds like a monster you kill after he is shot! Oh yes, I like the series, but this is just frigging magical, riffs upon riffs upon riffs upon more riffs!!!!1111!!! Then jumps right into a voice that sounds like he is telling you a secret to where he hides the pc game Diablo III!!! The grooves and riffs mashing my brain as I continue to type... I was playing Quake II just yesterday! :D
The next track on my list is Silver Goblin, opens up with a sample that says I am Alive not sure what that is from but probably from some ohmazing game or movie I need to play or see. The riffs pump me up and get the energy kicked up with a notch of proof as to why Alexion has evolved as a guitarist with the proof in the pudding. The pudding is in the proof here folks. Very strong guitar playing and screechy vocals here. Another favorable and enjoyable song to listen to while running around in the forest with a stick yelling *does fart noise with my tongue and lips*.
Now we get into something completely different, a Morke cover which I very much enjoy, it is just awesome and is a got to be a pretty good representation of the track itself. The drums are pounding the guitar is boiling, the hairs are going up on my skin! If you can manage that you done something right in my book and this is a great cover tune. Did I tell you my socks flew off? I know Walter would not like it but who cares! Morke is Morke! /ff/ Great cover, very interesting stuff. The guitar at the end is the outro I believe to the song but I must hear the actual song before I know for sure. Otherwise, good cover, very tight!
The Gatekeeper on my list is a track that is a acoustic track with The Gatekeeper doing vocals and is very awesome!!! I freaking love it, but he will throw me in the BLACK HOLE if he finds out!!! I will punished!!!! oh no... answer him you maggots!!! Then the song jumps right into some crunchy riffs more of the Gatekeepers style, he likes to put people in the black hole while Alexion plays I think then likes to jump out of the computer screen and scare you half to death! He is a cosmic creature with many powers and is pissed that I am even typing about him at the moment... he sees everything!!! AHHHH!!!!!!!! I think I seen him jump out of my screen... I hide under the covers for the past 5 minutes... He is gone now... I am safe, now I can continue my review.
The last song on my list is Unorthodox Existence, and is a song that touches many feelings with me and is very cool, the intro just sounds like something completely new and fresh, other then Titos underwear. The heaviness then comes in on this one and the boiling just got a little more technical and more powerful.... The braincells are melting away in my head, the skin is flying off my bones and I just been sucked into the black hole!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!111111111111111111........
NOW, I know how it feels to listen to Azordon, I finally understand it, its not about how the music is compared to the image per-say, the image is just a magical thing you either look past or appreciate and enjoy, the music overall is just as stunning and glorious and not alot of people can get their heads around to how great Ascension is. It will always stand the test of time... as Alexions 10th, not 11th!!! but one of his most ohmazing ablums to date. Download it now before I make a blog on how much you like to walk around wearing hot topic pants and how you listen to Hootie and the Blowfish and cover your body in lacerations while watching Dr.Phil baking a zuccuni bread. (I will steal the bread and kick you in the head)
To sum up this review... I really like Ascension and I think it is one of Alexion's best albums to date, and so were the other 17 or so albums before it! But this one really stands out and is something you can not overlook... now beat it!!!! I got some tar bubbling to do.
p.s. Tell me or try to convince me to quit TF zine now! I dare YOU! NO YOU!!!! yeah I ll be back...
1. Baked Potato Metal 02:59
2. Day ov Reckoning 02:40
3. Unorthodox Existence 04:02
4. The Curse of the Solitary Warrior (Morke Cover) 03:01
5. Quake III 04:59
6. Silver Goblin 03:04
7. Ascension 04:27
8. Makumba 05:51
9. The Gatekeeper 03:56
10. Aphids 07:07
11. Azordoom 01:47
12. Boiling through Eternity 04:54
13. Farewell, my Friends! (Bonus track) 02:51 instrumental
51:38
https://www.facebook.com/pages/Azordon/129695047130372
http://www.azordon.blogspot.com
http://www.metal-archives.com/bands/Azordon/3540272620
http://www.reverbnation.com/azordon
Wednesday, December 28, 2011
NECRONOS ZINE #2 review (by D for AEA zine)
This zine here comes in a yellow colored easy to make style zine with a very old looking font and has some pretty neat references to thrash metal bands from all over, or so I read online because I can not read a lick of spanish. The name of the zine actually is the same name of the singer of Fimbulwinter which I think is pretty cool. Anyway 24 page booklet with lots of metal bands, interviews and reviews to offer. You see names of bands mentioned such as April Morning, Ungod, Old Throne, Chaoswolf, Zemial, and the almighty Rotting Christ. The next issue will be renamed and will now be the Niggurath zine, some changes will be made but I think the style and the underground following will continue to move forward as this small time zine grows. You can contact this man here for a copy I think. Check it out if you can read it and it is your style of zine. Thrash till Death.... niggurathmexico@gmail.com
Saturday, December 17, 2011
Prayer Of The Dying - In Silence and Grief We Decay (Review)
This band is from Iklin/Malta, solo musician, and Martin does all instruments/ vocals. This is a cunning and very wicked BM band to be reckoned with! This album is called In Silence and Grief We Decay. Its a far cry from its earlier and rawer material I read, but I guess that depends on what kind of black metal fan you are. I really like the rawness, but I do like higher quality albums as well. This is one of those higher quality ones from this man here, but still has that mischevious raw presence about it.
Its has alot of things going on it that keep it out of the norm of mainstream black metal but with good production sound with something new to offer on each of its tracks. I really like the demented vocals on The Strength Of The Sufferer, the rain, church bells, bone crunching guitars, and is very well thought out. I like how it is constructed, and the way it was done. Very fucking good. King of Terrors, and Wastelands are also very dark and moody as well and this album sure gets my blood flowing. Dead Embers also has a symphonic side to it in the background, and I just love the guitars on this track as well. 3 mins to 4:30secs is just amazing. All I can really say is wow when I listen to this album when I heard it for the very first time. Very smart black metal music here, with feeling behind it of course. Some dissonance can only go so far with some black/doom or black/death bands but this album sure does go a long way... very well executed guitars, very strong diabolic shrieks. I cant pin point a place on this album I do not like... I just like the whole thing through out and will give it a thorough listen over and over again most likely till I move onto the next album I want to enjoy listening to. When I find something I like, I play it for sometime. Not too harsh, very listenable, and is great from start to finish.
BM finesse at its finest! I salute you!
The album was released on Nekrogoat Heresy Productions in 500 copy limited edition, I suggest you get a copy while you can. Totally worth it, and only if I had the chance to sit down and listen to this album earlier. I am kicking my ass for not doing so till now. This album promises alot for the new age of underground BM, and more bands come and go but I think Prayer of The Dying is here to stay. Other then Martins band Prayer of the Dying he is a drummer in some other bands as well, Sarratum's,Lustre's and Black Vulture. I reviewed the Lustre tape some time back. Still have that too. Great sounds found here, if there is any new BM you should look out for or pick up, it is in my book, definetly Prayer Of The Dyings album "In Silence and Grief we Decay". If your into dark, atmospheric, empty, and relentless music, you should get it. The sounds of phantoms, dark forces and cult like power is found in the eternal realm of Prayer Of The Dying...
To sum up this review if you like Black Metal give this a listen, its all 666% cold, eerie and fucking dark!!!
Tracklist:
1. Intro 01:28
2. Memento Of Decay 04:33
3. King Of Terrors 06:19
4. Destitue Throne 05:34
5. Dead Embers 06:07
6. Sheltering Cliffs 02:40
7. Wastelands 05:23
8. Destructive Minds 04:57
9. Drippping Woods 02:43
10. Slain In The Name Of God 06:42
11. The Strength Of The Sufferer 05:22
12. Drifting Mist 06:35
Total Playing Time 58:23
http://www.myspace.com/prayerofthedying
http://www.nghproductions.net/
https://www.facebook.com/pages/Prayer-of-the-Dying/206096002734228?sk=info
New Prayer of the Dying Album Out Now!
You can order your copy from:
www.nghproductions.net or directly from the Band martinciappara@gmail.com , http://www.myspace.com/prayerofthedying , facebook etc
Thursday, December 15, 2011
ANGSTMASKIN updates (Exclusive by D)
Angstmaskin from Oslo, Norway are working on new material for their new industrial masterpiece and I suggest you check out their lates music, videos, updates all on soundcloud, youtube, facebook, and more. Will review their album once out, and keep a eye out for these guys if their music is your style. Check it all out at the following links below this message...
I et land der industripiper fortsatt spytter ut tung, mørk røyk. Der maskiner fra en svunnen tid fortsatt får stampe og turbiner fortsatt får skape liv. DER i askerøyk, flammer og marsjerende takter ble det født en maskin. En annerledes maskin, en elektrisk maskin. En maskin med mørke tanker, dystre utsikter og tunge rytmer. En Angstmaskin, et dommedagsvåpen bygd av Øyvind Kihle Mobekk, med et helt spesielt formål. Med blytungt hjerte og mørkt sinn vil denne maskinen noe mer enn å stampe i de svarte industriskyene. Angstmaskinens dype røst vil tale til folket!
Denne elektrobaserte maskinen, dette dommedagsvåpenet har på den lange veien tatt med seg maskinist (?) for å styre spakene, kull og damp- sjef Tor Grønstad (No Sleep, Rosie) og støyende orgel ansvarlig Thomas Stubergh (Topper & Cadbury, StutheBaker)
I et land der industripiper fortsatt spytter ut tung, mørk røyk. Der maskiner fra en svunnen tid fortsatt får stampe og turbiner fortsatt får skape liv. DER i askerøyk, flammer og marsjerende takter ble det født en maskin. En annerledes maskin, en elektrisk maskin. En maskin med mørke tanker, dystre utsikter og tunge rytmer. En Angstmaskin, et dommedagsvåpen bygd av Øyvind Kihle Mobekk, med et helt spesielt formål. Med blytungt hjerte og mørkt sinn vil denne maskinen noe mer enn å stampe i de svarte industriskyene. Angstmaskinens dype røst vil tale til folket!
Denne elektrobaserte maskinen, dette dommedagsvåpenet har på den lange veien tatt med seg maskinist (?) for å styre spakene, kull og damp- sjef Tor Grønstad (No Sleep, Rosie) og støyende orgel ansvarlig Thomas Stubergh (Topper & Cadbury, StutheBaker).
Med en rekke konserter på repetoaret – inkludert headliner konsert i Berlin, ElektroStat Festivalens kick-off party i Oslo, Turbinhallen på Ringerike Kraftstasjon og Pstereo Festivalen 2011 - er dommedagsvåpenet AngstMaskin i full gang med å rette sin mørke, tunge og samtidig svært fengende inntogsmarsj av symfonisk industrirock, dansbar EBM og dyster synthpop mot resten av verden.
I feltveska ligger prestisjetunge inspirasjonskilder som Rammstein, Depeche Mode, Nine Inch Nails, Seigmen og Nitzer Ebb.
Er du med oss eller mot oss? ☠
Hold deg oppdatert på kommende konserter og utgivelser fra AngstMaskin her:
www.facebook.com/angstmaskin
TIDLIGERE NYHETER:
ANGSTMASKIN: Har bestemt meg for å begynne å skrive på norsk. I den forbindelse følte jeg også at Ending New var over. AngstMaskin er for tiden i studio og jobber.
LIVE: AngstMaskin vil spille live på Cafe Fiasco sammen med det uber kule bandet Kant Kino, dette er en kickoff fest for Elektrostat Festivalen. Dato: 21. August 2010.
Ending New is going to compete in DeathMatch 2009 at Mono. First round with Ending New is 20.th October. CC 50,- Join in and support Ending New this evening!
A new band member is confirmed, Christer Eriksen from Skin Desease and In Vein join in on the Ending New prosject. He will be appearing on stage for the first time in Berlin at alte Feuerwache.
Two new songs are available on Myspace as well, recorded this summer in Oslo with producer Bjorge Verbaan. Check them out, guest vocals on Fooled Me Again by Christer Eriksen.
Ending New is booked to do a show in Berlin 19.th September 2009. This is a show we are relly looking forward to do. The band is now:
Øyvind Kihle Mobekk (synth, voc)
Tom Kalstad aka Halfface from Gothminister (synth, Backing voc)
More shows will be added!
We are also working with new songs, hopefully to be recorded and put out on a new EP this summer.
Musikkfest. Ending- New er booket til Musikkfest Lørdag 7. Juni. Spiller på Elektrostat scenen i Øvre Vollgate 13 ved Club Maiden
Ps. ikke glem release konsert 23. mai på Maiden.
Upcoming EP.
These days I am working on my first EP. Produced by Øyvind Kihle Mobekk and Bjørge Verbaan. The release is set to april/ mai 2008. The release concert will be at Club Maiden 23. Mai. I will play support for The Murder Mystery and In Vein.
Current Location
Hønefoss/Oslo
General Manager
Øyvind Kihle Mobekk
Influences
Depeche Mode, Anstalt, Oslo Synth Band, Nitzer Ebb, Rammstein, Seigmen, The Twins, Alphaville, Vision Talk, Hocico, Gothminister, Apoptygma Berzerk, Mesh, Nine Inch Nails, Hurts, The Shining and others.
Band Interests
Død, ødeleggelse og alkohol.
Website
http://www.facebook.com/angstmaskin
Press Contact
eisu33@gmail.com
Booking Agent
Øyvind Kihle Mobekk//Maskineri Booking og Management
http://soundcloud.com/angstmaskin
I et land der industripiper fortsatt spytter ut tung, mørk røyk. Der maskiner fra en svunnen tid fortsatt får stampe og turbiner fortsatt får skape liv. DER i askerøyk, flammer og marsjerende takter ble det født en maskin. En annerledes maskin, en elektrisk maskin. En maskin med mørke tanker, dystre utsikter og tunge rytmer. En Angstmaskin, et dommedagsvåpen bygd av Øyvind Kihle Mobekk, med et helt spesielt formål. Med blytungt hjerte og mørkt sinn vil denne maskinen noe mer enn å stampe i de svarte industriskyene. Angstmaskinens dype røst vil tale til folket!
Denne elektrobaserte maskinen, dette dommedagsvåpenet har på den lange veien tatt med seg maskinist (?) for å styre spakene, kull og damp- sjef Tor Grønstad (No Sleep, Rosie) og støyende orgel ansvarlig Thomas Stubergh (Topper & Cadbury, StutheBaker)
I et land der industripiper fortsatt spytter ut tung, mørk røyk. Der maskiner fra en svunnen tid fortsatt får stampe og turbiner fortsatt får skape liv. DER i askerøyk, flammer og marsjerende takter ble det født en maskin. En annerledes maskin, en elektrisk maskin. En maskin med mørke tanker, dystre utsikter og tunge rytmer. En Angstmaskin, et dommedagsvåpen bygd av Øyvind Kihle Mobekk, med et helt spesielt formål. Med blytungt hjerte og mørkt sinn vil denne maskinen noe mer enn å stampe i de svarte industriskyene. Angstmaskinens dype røst vil tale til folket!
Denne elektrobaserte maskinen, dette dommedagsvåpenet har på den lange veien tatt med seg maskinist (?) for å styre spakene, kull og damp- sjef Tor Grønstad (No Sleep, Rosie) og støyende orgel ansvarlig Thomas Stubergh (Topper & Cadbury, StutheBaker).
Med en rekke konserter på repetoaret – inkludert headliner konsert i Berlin, ElektroStat Festivalens kick-off party i Oslo, Turbinhallen på Ringerike Kraftstasjon og Pstereo Festivalen 2011 - er dommedagsvåpenet AngstMaskin i full gang med å rette sin mørke, tunge og samtidig svært fengende inntogsmarsj av symfonisk industrirock, dansbar EBM og dyster synthpop mot resten av verden.
I feltveska ligger prestisjetunge inspirasjonskilder som Rammstein, Depeche Mode, Nine Inch Nails, Seigmen og Nitzer Ebb.
Er du med oss eller mot oss? ☠
Hold deg oppdatert på kommende konserter og utgivelser fra AngstMaskin her:
www.facebook.com/angstmaskin
TIDLIGERE NYHETER:
ANGSTMASKIN: Har bestemt meg for å begynne å skrive på norsk. I den forbindelse følte jeg også at Ending New var over. AngstMaskin er for tiden i studio og jobber.
LIVE: AngstMaskin vil spille live på Cafe Fiasco sammen med det uber kule bandet Kant Kino, dette er en kickoff fest for Elektrostat Festivalen. Dato: 21. August 2010.
Ending New is going to compete in DeathMatch 2009 at Mono. First round with Ending New is 20.th October. CC 50,- Join in and support Ending New this evening!
A new band member is confirmed, Christer Eriksen from Skin Desease and In Vein join in on the Ending New prosject. He will be appearing on stage for the first time in Berlin at alte Feuerwache.
Two new songs are available on Myspace as well, recorded this summer in Oslo with producer Bjorge Verbaan. Check them out, guest vocals on Fooled Me Again by Christer Eriksen.
Ending New is booked to do a show in Berlin 19.th September 2009. This is a show we are relly looking forward to do. The band is now:
Øyvind Kihle Mobekk (synth, voc)
Tom Kalstad aka Halfface from Gothminister (synth, Backing voc)
More shows will be added!
We are also working with new songs, hopefully to be recorded and put out on a new EP this summer.
Musikkfest. Ending- New er booket til Musikkfest Lørdag 7. Juni. Spiller på Elektrostat scenen i Øvre Vollgate 13 ved Club Maiden
Ps. ikke glem release konsert 23. mai på Maiden.
Upcoming EP.
These days I am working on my first EP. Produced by Øyvind Kihle Mobekk and Bjørge Verbaan. The release is set to april/ mai 2008. The release concert will be at Club Maiden 23. Mai. I will play support for The Murder Mystery and In Vein.
Current Location
Hønefoss/Oslo
General Manager
Øyvind Kihle Mobekk
Influences
Depeche Mode, Anstalt, Oslo Synth Band, Nitzer Ebb, Rammstein, Seigmen, The Twins, Alphaville, Vision Talk, Hocico, Gothminister, Apoptygma Berzerk, Mesh, Nine Inch Nails, Hurts, The Shining and others.
Band Interests
Død, ødeleggelse og alkohol.
Website
http://www.facebook.com/angstmaskin
Press Contact
eisu33@gmail.com
Booking Agent
Øyvind Kihle Mobekk//Maskineri Booking og Management
http://soundcloud.com/angstmaskin
Sunday, December 11, 2011
ASTRAL WINTER - Winter Enthroned (Review)
Finally got the chance to sit down and listen to this album and review it. I should have done it earlier! This is by far Astral Winters best album to date featuring stunning audio production, and the "perfect" guitar sound you can find out there in the bowels of underground metal music today. From Tasmania, Australia this Epic Black Metal band is full of surprises. With fierce, aggressive and shriek/shouting vocals, steady drumming, and intense speed, you cant go wrong blasting this album in your friends faces! And not expect them to shake in fear and amazement all at once afterwards.
This album has a timeless feel to go with it so its not neccesarily full blown intensity, but does have that feel through out. Reminds me of Evergrey and Emperor if they were mashed together on a icy planet like Europa. It has a stellar sound, lots going on each track and keeps the listener wanting more after each track. It is just that good as it can get for anyone who is looking for a album to be completely be sucked into. Pure spectacle of metal theatrics!
I really like how the theme of the band is about winter, and that the sound also reminds me of the epic prowess of Bathory's Nordland I and II, just constant epic-ness the whole album through out. You must hear it too believe it. The lyrics are also well thought out, like Through Timeless Aeons of Frost for example...*clears throat*
"And so it is written
In the sacred tome of wrath,
The merciless embodiement of suffering,
The relentless destruction of the worlds
As the stars began falling from the sky
And the night becoming a pale reflection
That despair found within all of humanity
As their world lay frozen in time
The hymn of the faithful
Is now forever sung in silence
The timeless aeons of frost"
Meaningful lyrics for thoughtful music is always a plus in my book!
The album is a span of 9 tracks, and you can also find ambience and serene melancholy in tracks like The Gates Of Prophecy. Longing for Winters End is also a big track with big sounds I know everyone likes it and is one of my personal favorites. Their is no bad or wrong I see in this album and should be listened to throughout without pausing to get the whole feel and presence of the album. Maybe a walk in the moonlight winter nights this season can give you time to do so? Their is only knowledge found in music, and Astral Winter contains such knowledge. A freaking temple of knowledge I say! Symphonic black metal madness at its peak!
Now if you like to get this album I suggest you contact Josh Young at his bands facebook page here or buy it through IMMORTAL FROST PRODUCTIONS if its still there and available. Here is the link. https://www.facebook.com/pages/Astral-Winter/135283222458
To sum up this review, this is a killer album and I could not imagine it not being liked by anyone who plays and listens to Black Metal or even Progressive Metal music. This music is fucking smart, and if you do not like it, your the obvious opposite of smart... DURR HURR!!!
Josh's band is also working up to a second album titled "Forest Of Silence" so stay tuned for that but until then get Winter Enthroned while you still can on CD now! It is a must have and must hear. Thanks for this masterpiece Josh, keep up the good fucking work! Cheers and beers \m/
Tracklist:
1. Prologue (1:42)
2. Illustrations of Death (6:35)
3. Through Timeless Aeons of Frost (8:39)
4. Defenders of the Astral Kingdom (10:44)
5. At the Gates of Forgotten Prophecy (1:32)
6. Longing For Winter's End (6:23)
7. Beyond These Frozen Castle Walls (8:28)
8. Past the Realms of Eternal Ice (9:32)
9. Epilogue (1:47)
Total: (55:25)
Comes with a 12 page booklet and full artwork in a clear jewel case.
Item will be shipped from Belgium, Europe, for 15 euro (approx $20 USD, worldwide shipping included)
BUY CD HERE : https://astralwinter.bigcartel.com/
http://www.myspace.com/astralwinter0
http://www.last.fm/music/Astral+Winter
http://www.youtube.com/user/AstralWinter
http://www.myspace.com/immortalfrostproductions
http://immortalfrostproductions.com
Saturday, December 10, 2011
Dark Isle - Frozen Evenings by Candlelight & The Scars of Her Tears (Review)
A confusing/odd mixture of ambient, dub, drum N bass, some dark romanticism, and thoughtful tunes here man... I like it. This is a solo project and Dark Isle brings us songs composed of beats and rhythms that are deep, filled with mood, depression, and filled with melancholy. The music is chilled out music but has a very dark feel compared to most beat oriented music so it stands out. Strong bass and strange frequencies of music I never heard before. It is very intriguing, so intriguing I been listening to this album over and over again. Lord Forneus has the many talents and presents his talents by making a sub-genre of music in a different direction then the BM side of music. When I popped this in my stereo I could not help but fall asleep or smoke, or drink something while listening to it. It is a album that "Sets the mood." I like how each track has something to offer and their is also some weird vocals to go along with it, some sound like female vocals. Anyway, I really enjoyed this album and suggest you pick it up at DARK MEADOW RECORDINGS while you still can! It is a one of a kind, and a solid release for this project by Lord Forneus. Deep beats for deep thinking. Its not a album for everyone, but something you should really check out if your into moody music, and something that sound like something from a Midi or fl studio program. Now... can you dig that?
CONTACT ED FOR THIS ALBUM : https://www.facebook.com/Dark.Meadows or BUY in the cardboard case section : http://www.darkmeadowrecordings.com/cardboardcasereleases.htm
https://www.facebook.com/DarkIsleUK
ALSO PICK UP THE NEW DARK ISLE TAPE @ DEPRESSIVE ILLUSION RECORDS @ www.facebook.com/depressiveillusions preview : http://youtu.be/F2iuygGX8bA
1 Cold Night Air Is Mine Breathe 2:00
2 Frozen Evening By Candlelight 5:07
3 Left With Nothing 4:40
4 Winds In The Night 1:36
5 Snowmance 3:49
6 Deep Snow Covers The Hills Before Winter Dies 3:44
7 Tropical Chiller 4:02
8 Prayers In A Frozen Shrine 2:49
9 As Snow Falls 2:16
10 Suicide In Silent Snow 6:21
11 Lost In My Own Self 3:12
12 I Lay As Dead Branches In Snow 4:44
13 Drifting Snow Falls Through The Night 3:18
14 I Lay As Dead Branches In Snow(Reprise Version) 4:44
15 Scars Of Her Tears(Bonus) 3:33
16 Mid-Summer Sunset(Bonus) 2:58
17 Cathedral In Silent Village(Bonus) 3:31
18 Ganja Smokers(Bonus) 2:30
19 Moevot Remix(Bonus) 4:09
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